Babuji
Probably this is the series that made people aware of Pihu Singh-the story is rather messy and bold, but she brings a surprising softness to it. Truly, there is this kind of angry nervousness in her performance, where she seems to be holding back and letting the character breathe. You can almost feel what she is feeling without her saying much.
Babuji Part 2
It is heavier in the sequel, but in a good way. You can tell that Pihu has grown into the character; therefore, the scenes have weight, not from loud drama, but from that quiet tension she carries. Watching her lets you feel the character’s struggle, guilt, and makes it into something you shouldn’t forget.
61-62 Adla Badli
This story doesn’t really play out in terms of torturous relations here. Pihu’s strongest in the small moments—tiny gestures, pauses, awkward looks. It doesn’t seem ostentatious, but that’s its charm. Somehow, those little things make her character seem much more human than many others in similar stories.
61-62 Just Slowly Slowly
This is a leisurely one, letting emotions come at their own pace. Boring it can get, but Pihu keeps this one alive. No hurry, no overdoing things, and that is why the contradictions in the character become real in their struggles. Almost as much silence as dialogue is noticed.
61-62 Mera Baap Mera Saheb
Yes, it’s a bold story. Pihu brings in a covert form of vulnerability. She manages to bring out the hesitations, the doubts, the side of a person behind all this drama, including moments when it is the loudest. That is the subtle nuance that makes her acts linger for a while longer than the story itself.
61-62 Joru Ka Ghulam
Then maniac fun chaos; the character juggles guilt, curiosity, and desire at the same time, and somehow, Pihu handles it like it’s the most natural thing in the world. In fact, you forget that it is a scripted show because these emotions seem so messy and real.
61-62 Mera Baap Mera Saheb Part 2
In this part, the character is much more rooted but still has baggage. What I found strangely gratifying was watching her navigate contradictions without yelling or overacting. You notice little things—an eyebrow raise, a pause, a look—that draw the tale forward.
Mami No 1
A short, but intense, series of impulsive decisions by Pihu’s character, all played with just the right touch of fragility. You feel frustrated and sympathetic towards her at the same time. And tension makes this series stick.
Nalayak Beta
Bolder, dramatic, yet Pihu stays grounded in it. She makes the character believable by balancing that hesitation and confidence very finely. It is not like performing; this feels like someone you have actually known.
Jija Saali
One of her latest works, and here you can note how matured she has become. All seem effortless in expressions and timing and chemistry with other actors. It almost feels like watching a natural evolution of one’s craft over the years.
